The film Pravinkoodu Shappu Movie belongs to the Drama, and Crime Thriller subgenres. Sreeraj Sreenivasan directed the film, Sreeraj Sreenivasan wrote the script. Anwar Rasheed Entertainment presents the film, which was produced by Anwar Rasheed. On 13 April 2025, Pravinkoodu Shappu 2025 Movie was released to Theater, and its runtime was 2 hour and 05 minutes.
Pravinkoodu Shappu 2025 Movie Highlights

Movie Name | Pravinkoodu Shappu Movie |
Original Language | Tamil |
Spoken Language | Hindi |
Release Date | 13 April 2025 |
Runtime | 2 hour and 05 minutes |
Country | Indian |
Genres | Crime Thriller |
Director | Sreeraj Sreenivasan |
Pravinkoodu Shappu 2025 Movie Screenshot



Pravinkoodu Shappu 2025 Movie Star Cast
Actor/Actress | Role in the Film |
---|---|
Basil Joseph | Sub-Inspector Santhosh |
Soubin Shahir | – |
Chandini Sreedharan | – |
Revathi | – |
Shabareesh Varma | – |
Pravinkoodu Shappu 2025 Movie Trailer
Pravinkoodu Shappu 2025 Movie Review
The story revolves around the murder of Komban Babu (Shivajith), a shady toddy shop owner found dead after a stormy night. Eleven patrons, trapped by rain, become suspects, each hiding secrets. SI Santhosh (Basil Joseph), an eccentric cop, digs into their motives, uncovering lies, grudges, and betrayals. The film aims for a gritty, humorous take on greed and deception, blending rustic Kerala vibes with a murder-mystery framework. While it tackles class dynamics and human flaws, the convoluted plot dilutes its impact.
Basil Joseph is a standout as Santhosh, mixing quirky humor with sharp deduction, though his character’s arc feels rushed toward the end. Soubin Shahir’s Kannan is compelling, portraying vulnerability and quiet intensity with finesse. Chemban Vinod Jose delivers gravitas as Suni, an ex-CRPF officer, while Chandini Sreedharan’s Merinda adds spark but deserves more screen time. The ensemble, including Shivajith and smaller roles, keeps the tension alive, even when the pacing lags.
Sreeraj Sreenivasan shows promise, crafting a moody, atmospheric setup, but the execution falters. The nonlinear narrative, with excessive flashbacks, muddles the timeline, and the humor—while occasionally sharp (e.g., a darkly funny nod to “Thumbi Vaa”)—often feels forced or mistimed. The script sets up an intriguing puzzle but overcomplicates it with repetitive clues and a climax that’s tidy yet underwhelming. At 148 minutes, tighter editing could’ve sharpened the suspense.