The Thriller/Horror film Final Destination: Bloodlines, directed by Zach Lipovsky and Adam Stein and written by Jon Watts, Guy Busick, and Lori Evans Taylor, premiered in theaters on May 16, 2025. Presented by New Line Cinema, Practical Pictures, Freshman Year, and Fireside Films, and produced by Craig Perry, Sheila Hanahan Taylor, Jon Watts, Dianne McGunigle, and Toby Emmerich, the movie has a runtime of 1 hour and 49 minutes.
Final Destination Bloodlines 2025 Movie Overview

Movie Name | Final Destination Bloodlines 2025 Movie |
Original Language | English |
Spoken Language | – |
Release Date | 16 May 2025 |
Runtime | 1 hour and 49 minutes |
Country | United States |
Genres | Horror Thriller |
Director | Zach Lipovsky, Adam Stein |
Producer | Craig Perry, Sheila Hanahan Taylor, Jon Watts, Dianne McGunigle, Toby Emmerich |
Final Destination Bloodlines 2025 Movie Screenshot



Final Destination Bloodlines 2025 Movie Star Cast
Actor | Character |
---|---|
Kaitlyn Santa Juana | Stefani Reyes |
Richard Harmon | Erik Campbell |
Tony Todd | William Bludworth |
Kaitlyn Bernard | – |
Charles Melton | – |
Final Destination Bloodlines 2025 Movie Trailer
Final Destination Bloodlines 2025 Movie Review
There’s a twisted thrill in watching a rogue lawnmower reduce a face to pulp and thinking: this is cinema. Few franchises have mastered this bizarre sensation like Final Destination, a horror series that seared a generation with dread over highway logs, Lasik procedures, and even a rustling breeze. In Final Destination: Bloodlines, directors Zach Lipovsky and Adam Stein breathe new life into the series’ worn premise of Death’s relentless pursuit, weaving a darkly funny, terror-laced tale of generational trauma. This reboot is both a heartfelt elegy and a gleefully brutal nod to the likes of Happy Tree Friends (Google “Eyes Cold Lemonade” for a taste).
Spanning the 1960s and today, the story tracks two women bound by blood and foreboding. True to form, the film kicks off with a spectacular catastrophe: a glitzy high-rise restaurant, Skyview, collapses in a symphony of shattered glass, tumbling bodies, and a piano flattening a spoiled kid like a cartoon anvil. It’s absurd, grandiose, and wickedly gratifying.
In the ‘60s, young Iris escapes the Skyview disaster thanks to a chilling premonition. Decades later, her granddaughter Stefani (Kaitlyn Santa Juana, nailing anxious savvy) uncovers their family’s tie to Death’s grim calculus. Stefani’s no ordinary prey—she’s genre-savvy, like a seasoned Final Destination fan. She knows to steer clear of frayed wires, sharp blades, and, heaven forbid, MRI machines, mirroring our own instincts as viewers.