Chaurya Paatham” is a Hindi film released on OTT on May 14, 2025. This thriller and drama, with a runtime of 1 hour and 42 minutes, was directed by Nikhil Gollamari and written by Karthik Gattamneni. Nakkina Narratives presented the film, which was produced by Trinadha Rao Nakkina.
Chaurya Paatham 2025 Movie Overviews
| Movie Name | Chaurya Paatam 2025 Movie |
| Original Language | Telugu |
| Spoken Language | Hindi |
| Release Date | 14 May 2025 |
| Runtime | 1 hour and 42 minutes |
| Country | India |
| Genres | Thriller Drama |
| Director | Nikhil Gollamari |
| Producer | Trinadha Rao Nakkina |
Chaurya Paatham 2025 Movie Screenshot
Chaurya Paatham 2025 Movie Star Cast
| Actor/Actress | Role |
|---|---|
| Indhra Ram | Vedanth Ram |
| Payal Radhakrishna | Anjali |
| Anji Valguman | Jack Dan |
| Edward Stevenson | Shivay |
| Madee Manepalli | – |
Chaurya Paatham 2025 Movie Trailer
Chaurya Paatham 2025 Movie Review
Indhra Ram’s portrayal in Chaurya Paatam feels one-dimensional, as he maintains a single expression for most of the film. To grow as an actor, he needs to broaden his emotional range and refine his performance skills. Payal Radhakrishna delivers a visually appealing presence and a respectable performance, though her role doesn’t offer much scope to truly showcase her talent. Supriya Ayosula stands out in the role of the Sarpanch, making a strong impression with her expressive and emotionally resonant acting. Rajeev Kanakala, unfortunately, is given a small, forgettable part that fails to make an impact. Mast Ali, Saleem Pheku, Anji Valguman, and Edward Stevenson (as the inspector) deliver performances that are serviceable but unremarkable, staying within the bounds of their limited roles.
Penned by Karthik Ghattamaneni and directed by Nikhil Gollamari, Chaurya Paatam sets out to deliver an entertaining heist comedy. While the premise holds promise, the execution feels overly familiar, echoing numerous films in the genre. The initial scenes come across as clichéd, dated, and lacking freshness. Ghattamaneni’s story doesn’t bring anything new to the table, and Gollamari’s screenplay relies too heavily on predictable plot points. Although the interval twist injects a bit of intrigue, it’s not enough to lift the film above its formulaic storytelling.
