Originally released in theaters on April 24, 2025, the Action Comedy film ‘Gangers’ is now available on OTT as of May 15, 2025. Directed and co-written by Sundar C (with Venkat Raghavan also contributing to the script), the movie belongs to the Thriller and Action subgenres. Presented by Avni Cinemax and Benzz Media (P) Ltd., the film was produced by Khushbu Sundar, A. C. Shanmugam, and A. C. S. Arun Kumar. ‘Gangers,’ available in Hindi, has a runtime of 2 hours and 30 minutes.
Gangers 2025 Movie Overview
| Movie Name | Gangers 2025 Movie |
| Original Language | Tamil |
| Spoken Language | Hindi |
| Release Date | 15 May 2025 |
| Runtime | 2 hour and 30 minutes |
| Country | India |
| Genres | Comedy Drama |
| Director | Sundar C |
| Producer | Khushbu Sundar, A. C. Shanmugam, A. C. S. Arun Kumar |
Gangers 2025 Movie Screenshot
Gangers 2025 Movie Star Cast
| Actor/Actress | Role |
|---|---|
| Sundar C | Duplicate Saravanan |
| Vadivelu | Singaram |
| Catherine Tresa | Sujitha |
| Hareesh Peradi | Mudiyarasan |
| Munishkanth | Singaraj |
| Kaalaiyan | Anbu |
| T. M. Karthik | Charles |
Gangers 2025 Movie Trailer
Gangers 2025 Movie Review
The story kicks off with a missing schoolgirl, prompting a concerned teacher (Catherine Tresa) to search for clues. Saravanan (Sundar C), initially seeming like a parallel investigator, is later revealed to be pursuing a grander mission. What begins as a small-town mystery morphs into a vigilante tale before pivoting into a full-fledged heist drama.
The second half centers on a plan to steal Rs 100 crore from three villainous brothers who dominate the village. On paper, the setup sounds compelling: a missing girl, a vigilante hero with a personal backstory, corrupt power-hungry villains, and a high-stakes heist. Yet, the execution feels like a collage of overused Tamil commercial film tropes. Catherine Tresa’s sincere teacher character inexplicably shifts to performing an ‘item number’ in a club. Vadivelu, as a PT master vying for her affection, delivers solid comic timing, but the gags feel dated and repetitive.
The background score overcompensates for lackluster comedy writing, trying to coax laughs where the script falters. Certain choices, like cringe-inducing moaning sound effects when Vadivelu’s character leers at Catherine, are not only outdated but jarring. These missteps highlight the film’s larger issue: a failure to treat its female characters or plot with genuine depth or seriousness.
