Karan Sharma directed and co-wrote the Hindi film “Bhool Chuk Maaf” with Haider Rizvi. This comedy and drama, produced by Dinesh Vijan under the banner of Maddock Films, has a runtime of 2 hours and 20 minutes and premiered in theaters on May 23, 2025.
Bhool Chuk Maaf 2025 Movie Overview
| Movie Name | Bhool Chuk Maaf 2025 Movie |
| Original Language | Hindi |
| Spoken Language | Hindi |
| Release Date | 23 May 2025 |
| Runtime | 2 hour and 20 minutes |
| Country | India |
| Genres | Comedy Drama |
| Director | Karan Sharma |
| Producer | Dinesh Vijan |
Bhool Chuk Maaf 2025 Movie Screenshot
Bhool Chuk Maaf 2025 Movie Star Cast
| Actor | Role |
|---|---|
| Rajkummar Rao | Ranjan (Male Lead) |
| Wamiqa Gabbi | Titli (Female Lead) |
| Sanjay Mishra | Supporting Role |
| Zakir Hussain | Supporting Role |
Bhool Chuk Maaf 2025 Movie Trailer
Bhool Chuk Maaf 2025 Movie Review
Bhool Chuk Maaf kicks off with a young couple, Ranjan (Rajkummar Rao) and Titli (Wamiqa Gabbi), attempting to elope, only for Titli to back out, missing her father. To avoid family dishonor, both sets of parents agree to a quick marriage, but there’s a catch: Titli’s family demands Ranjan secure a government job within two months. He lands the job—dishonestly—causing a deserving candidate to lose their spot. This comedy of errors takes a wild turn with a bizarre time loop twist, making Bhool Chuk Maaf a chaotic blend of humor and missteps.
The film’s bold shift comes just before the interval, rendering the sluggish first half forgettable. The second half picks up pace, injecting some excitement. Rao and Gabbi, both skilled performers, do their best to elevate a lackluster script. The humor lands in spurts—some moments genuinely funny, others feeling forced, like being tickled into laughter. Many dialogues lean heavily on clichés, dimming the film’s charm.
The core issue lies in its tone. Tackling serious topics like unemployment, the obsession with government jobs, and corrupt practices—such as bribing for positions—with comedy risks trivializing them. The film skims over these weighty issues, burying them under garish lehengas, sherwanis, wedding pomp, and relentless gags, failing to give the themes the respect they deserve.
